Back in August 2021, John released “Cold Heart (PNAU Remix)” featuring Dua Lipa and Australian production trio PNAU. “Hold Me Closer” follows in the tradition of John’s latest ventures. 26), John unveiled his latest duet, this time with pop superstar Britney Spears, on “Hold Me Closer.” A modernized, dance-influenced new take on the star’s 1972 classic “Tiny Dancer” as well as 1992’s “The One,” the new song produced by Andrew Watt takes the both of John’s past works and bumps them up to 11 - Spears’s piercing vocals add some drama to the grooving dance-pop vibes being constructed on this scintillating new single. At 75-years-old, the pop legend isn’t showing any signs of stopping his streak of top-tier collaborations. “Rocketman,” the film’s title track, is an ode to suicide “Honky Cat” is performed as John’s first dive into addictive behaviors surfaces.Elton John has made a career out of defying expectations, penning hits and working with all of the right people to become the international phenomenon that he is today. “Tiny Dancer” takes on a whole different meaning when sung at a party where John is alone in a crowd. But while songs like “Tiny Dancer” have been used in the soundtracks of several films as romantic mood music, this production leans into the melancholia of the tracks, using them to illustrate depression, alienation and loneliness. John’s catalog is deeply familiar to audiences, his career having spanned 50 years at this point.
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Speaking of the music, that’s another place where the movie zags where most would zig. Egerton may not always hit the notes perfectly, and one or two songs feel a bit it’s Elton John night on “American Idol,” but he throws himself into every number. There’s no lip-syncing to the original tracks, no digital blending of the actor and the original vocalist. Unlike other biopics, Egerton was cast because he could passably perform the songs. Here too, one can feel the effect of John as an executive producer. The kids who play young Reggie and teen Reggie are perfectly fine, but there’s no denying the energy that Egerton brings to his scenes. The kids who play young Reggie and teen Reggie are perfectly fine, but there’s no denying the energy that Egerton brings to his scenes.Įgerton is excellent throughout. In real life, John’s trip to rehab happened in 1990 when he was 43.)
(John's age isn’t clear because the timeline throughout is a little hazy. The result is a biopic by way of a fantasy jukebox musical, told by a 30-something John (played by Taron Egerton) as he looks back over his life while in group therapy at a rehab center. Any story told about him should therefore be a musical, featuring the songs he’s best known for. With the exception of a few key points, Elton’s most famous costumes (and glasses) are used as a jumping off point rather than a marching order.Įlton John is a man whose life has always revolved around music. It’s also not as obsessed with the recreations. Perhaps because Elton John is alive and credited as the film’s main executive producer, this film is far more willing to dig into what makes John tick. “Rocketman,” also directed by Fletcher, is in a completely different league. In “Bohemian Rhapsody,” which director Dexter Fletcher took over partway through, the story is straightforward and seemingly more interested in replicating iconic moments than exploring its protagonist. Want more articles like this? Sign up for the THINK newsletter to get weekly updates on pop culture news and analysis In the end, rock bottom is found, the artist has a call to sobriety, and the film ends with a triumphant recreation of a seminal career moment.
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This coming-of-age story, complete with a series of challenges posed by drugs and a meddlesome lover-turned-manager, is quite similar to the story of Queen frontman Freddy Mercury. One day, Young Elton (then named the far less sexy Reginald Dwight) meets a fellow musician to partner with, lyricist Bernie Taupin, who is still his main collaborator. Set in the same early-1970s to late-1980s era, both movies feature sons who have their musical interests and signs of genius discounted. The comparisons to “Bohemian Rhapsody” are inevitable.
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